January 3, 2018May 1, 2018‘Dead Already’: The Comic Side of Sam Mendes’ ‘American Beauty’: Marriage, Performance and Rebellion. Continue reading "‘Dead Already’: The Comic Side of Sam Mendes’ ‘American Beauty’: Marriage, Performance and Rebellion."
January 3, 2018May 1, 2018Making It Work: A Comparative Thought: Satine, Nina and Édith Piaf. Continue reading "Making It Work: A Comparative Thought: Satine, Nina and Édith Piaf."
January 3, 2018April 29, 2018Middle class and artistry as incompatible: the dysfunctional relationship of Adèle and Emma in Abdellatif Kechiche’s ‘Blue is the Warmest Colour’. Continue reading "Middle class and artistry as incompatible: the dysfunctional relationship of Adèle and Emma in Abdellatif Kechiche’s ‘Blue is the Warmest Colour’."
January 3, 2018May 1, 2018Nina and her Mirror-images: Re-balancing the Apollonian and Dionysian in Darren Aronofsky’s ‘Black Swan’ Continue reading "Nina and her Mirror-images: Re-balancing the Apollonian and Dionysian in Darren Aronofsky’s ‘Black Swan’"
January 2, 2018May 1, 2018The Rape of Erika’s Sexual Identity in Michael Haneke’s ‘La Pianiste’ Continue reading "The Rape of Erika’s Sexual Identity in Michael Haneke’s ‘La Pianiste’"
January 2, 2018May 1, 2018Rediscovering the Proper Female Self in Marina de Van’s ‘Dans ma peau’ Continue reading "Rediscovering the Proper Female Self in Marina de Van’s ‘Dans ma peau’"
January 2, 2018May 1, 2018Emma’s Revitalisation in Luca Guadagnino’s ‘Io sono l’amore’ Continue reading "Emma’s Revitalisation in Luca Guadagnino’s ‘Io sono l’amore’"
January 2, 2018May 1, 2018Satine as a Chthonian Performer in Baz Luhrmann’s ‘Moulin Rouge!’ Continue reading "Satine as a Chthonian Performer in Baz Luhrmann’s ‘Moulin Rouge!’"
January 2, 2018May 1, 2018Pedro Almodóvar’s ‘La piel que habito’ Continue reading "Pedro Almodóvar’s ‘La piel que habito’"
