Skip to content

Croque-Melpomene

figurative artist | transgenerational poetess | daughter of Eros and Thanatos

  • Home
  • coming here to die | polyphonic grief poetry
  • Zerreißprobe Menschwerdung | dringende Gedichte
  • symbiosis | a sister’s psychogeographical grief | a poetry collection
  • mutterseelenallein & splitterfasernackt | transgenerationale Trauma- und Trauergedichte
  • you ate popcorn in my house of grief | transgenerational poetry
  • Daughterbody II: a self-reclamation through poetry
  • Daughterbody I: a self-exorcism through poetry
  • Within Paravent Walls | a novel
  • Within Paravent Walls | reviews
  • Books
  • Contact
The reasons why Jean-Luc Godard’s ‘À bout de souffle’ is a ground-breaking milestone in the cinematic canon January 2, 2018May 6, 2020
Through the Eyes of a Fictitious Anonymous Frenchman: IN FAVOUR OF MARIE ANTOINETTE’S LIFE, EXCLUDING HER FORMER TITLE AND POSITION. January 2, 2018June 10, 2020
A Form of Love: Charles Bukowski’s ‘The Most Beautiful Woman In Town’ January 1, 2018May 6, 2020
Risucchio: A Short Story December 28, 2017May 6, 2020
Liebmädchen Origins December 22, 2017April 29, 2020
The voyage between ‘Seraphic Addiction’ and ‘Liebmädchen’ December 20, 2017May 7, 2018
First blog post December 20, 2017December 20, 2017

Posts navigation

Newer posts
  • Pinterest
  • Twitter
  • YouTube 1
  • Goodreads
  • Instagram
  • YouTube 2
Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • Croque-Melpomene
    • Join 255 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Croque-Melpomene
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar