Making It Work: A Comparative Thought: Satine, Nina and Édith Piaf. January 3, 2018May 7, 2020

Middle class and artistry as incompatible: the dysfunctional relationship of Adèle and Emma in Abdellatif Kechiche’s ‘Blue is the Warmest Colour’ January 3, 2018June 10, 2020

Nina and her Mirror-images: Re-balancing the Apollonian and Dionysian in Darren Aronofsky’s ‘Black Swan’ January 3, 2018June 10, 2020

The Rape of Erika’s Sexual Identity in Michael Haneke’s ‘La Pianiste’ January 2, 2018May 6, 2020

Rediscovering the Proper Female Self in Marina de Van’s ‘Dans ma peau’ January 2, 2018May 7, 2020

Emma’s Revitalisation in Luca Guadagnino’s ‘Io sono l’amore’ January 2, 2018May 6, 2020

Satine as a Chthonian Performer in Baz Luhrmann’s ‘Moulin Rouge!’ January 2, 2018May 6, 2020

Pedro Almodóvar’s ‘La piel que habito’ January 2, 2018May 7, 2020

The paralysing deconstruction and perversion of intimacy, eroticism and death in Lynne Ramsay’s ‘We Need to Talk about Kevin’ January 2, 2018May 6, 2020