January 2, 2018May 7, 2020Rediscovering the Proper Female Self in Marina de Van’s ‘Dans ma peau’ Continue reading "Rediscovering the Proper Female Self in Marina de Van’s ‘Dans ma peau’"
January 2, 2018May 6, 2020Emma’s Revitalisation in Luca Guadagnino’s ‘Io sono l’amore’ Continue reading "Emma’s Revitalisation in Luca Guadagnino’s ‘Io sono l’amore’"
January 2, 2018May 6, 2020Satine as a Chthonian Performer in Baz Luhrmann’s ‘Moulin Rouge!’ Continue reading "Satine as a Chthonian Performer in Baz Luhrmann’s ‘Moulin Rouge!’"
January 2, 2018May 7, 2020Pedro Almodóvar’s ‘La piel que habito’ Continue reading "Pedro Almodóvar’s ‘La piel que habito’"
January 2, 2018May 6, 2020The paralysing deconstruction and perversion of intimacy, eroticism and death in Lynne Ramsay’s ‘We Need to Talk about Kevin’ Continue reading "The paralysing deconstruction and perversion of intimacy, eroticism and death in Lynne Ramsay’s ‘We Need to Talk about Kevin’"
January 2, 2018May 6, 2020The reasons why Jean-Luc Godard’s ‘À bout de souffle’ is a ground-breaking milestone in the cinematic canon Continue reading "The reasons why Jean-Luc Godard’s ‘À bout de souffle’ is a ground-breaking milestone in the cinematic canon"
January 2, 2018June 10, 2020Through the Eyes of a Fictitious Anonymous Frenchman: IN FAVOUR OF MARIE ANTOINETTE’S LIFE, EXCLUDING HER FORMER TITLE AND POSITION. Continue reading "Through the Eyes of a Fictitious Anonymous Frenchman: IN FAVOUR OF MARIE ANTOINETTE’S LIFE, EXCLUDING HER FORMER TITLE AND POSITION."
January 1, 2018May 6, 2020A Form of Love: Charles Bukowski’s ‘The Most Beautiful Woman In Town’ Continue reading "A Form of Love: Charles Bukowski’s ‘The Most Beautiful Woman In Town’"
