The Rape of Erika’s Sexual Identity in Michael Haneke’s ‘La Pianiste’ January 2, 2018May 6, 2020

Rediscovering the Proper Female Self in Marina de Van’s ‘Dans ma peau’ January 2, 2018May 7, 2020

Emma’s Revitalisation in Luca Guadagnino’s ‘Io sono l’amore’ January 2, 2018May 6, 2020

Satine as a Chthonian Performer in Baz Luhrmann’s ‘Moulin Rouge!’ January 2, 2018May 6, 2020

Pedro Almodóvar’s ‘La piel que habito’ January 2, 2018May 7, 2020

The paralysing deconstruction and perversion of intimacy, eroticism and death in Lynne Ramsay’s ‘We Need to Talk about Kevin’ January 2, 2018May 6, 2020

The reasons why Jean-Luc Godard’s ‘À bout de souffle’ is a ground-breaking milestone in the cinematic canon January 2, 2018May 6, 2020