October 8, 2019October 9, 2019JOKER: An Autobiographical Tragicomedy: “Not A Punchline, Not A Joke”: A Philanthropist Moulded Into A Misanthropist Continue reading "JOKER: An Autobiographical Tragicomedy: “Not A Punchline, Not A Joke”: A Philanthropist Moulded Into A Misanthropist"
June 13, 2018November 7, 2018Himmelhoch jauchzend und zu Tode betrübt: Dysfunctional Families: Silence & Music and Identity & Reconnection in Caroline Link’s: “Jenseits der Stille” (“Beyond Silence”) Continue reading "Himmelhoch jauchzend und zu Tode betrübt: Dysfunctional Families: Silence & Music and Identity & Reconnection in Caroline Link’s: “Jenseits der Stille” (“Beyond Silence”)"
January 24, 2018April 25, 2018Dysfunctional Families: a Writer’s Coming-of-Age, a Denounced Female Sexuality and Domestic Terror in Jean-Jacques Annaud’s ‘L’Amant’. Continue reading "Dysfunctional Families: a Writer’s Coming-of-Age, a Denounced Female Sexuality and Domestic Terror in Jean-Jacques Annaud’s ‘L’Amant’."
January 7, 2018April 25, 2018Dysfunctional Families: Identity Revealed on Canvas, the Matriarchal Household, Artistry as Getaway and Platonic Eroticism in Peter Webber’s ‘Girl with a Pearl Earring’. Continue reading "Dysfunctional Families: Identity Revealed on Canvas, the Matriarchal Household, Artistry as Getaway and Platonic Eroticism in Peter Webber’s ‘Girl with a Pearl Earring’."
January 5, 2018July 29, 2019Surviving at all Costs: the Female Abyss and the Domestic Elimination of Patriarchy in William Oldroyd’s ‘Lady Macbeth’. Continue reading "Surviving at all Costs: the Female Abyss and the Domestic Elimination of Patriarchy in William Oldroyd’s ‘Lady Macbeth’."
January 3, 2018May 1, 2018‘Dead Already’: The Comic Side of Sam Mendes’ ‘American Beauty’: Marriage, Performance and Rebellion. Continue reading "‘Dead Already’: The Comic Side of Sam Mendes’ ‘American Beauty’: Marriage, Performance and Rebellion."
January 3, 2018May 1, 2018Making It Work: A Comparative Thought: Satine, Nina and Édith Piaf. Continue reading "Making It Work: A Comparative Thought: Satine, Nina and Édith Piaf."
January 3, 2018April 29, 2018Middle class and artistry as incompatible: the dysfunctional relationship of Adèle and Emma in Abdellatif Kechiche’s ‘Blue is the Warmest Colour’. Continue reading "Middle class and artistry as incompatible: the dysfunctional relationship of Adèle and Emma in Abdellatif Kechiche’s ‘Blue is the Warmest Colour’."
January 3, 2018May 1, 2018Nina and her Mirror-images: Re-balancing the Apollonian and Dionysian in Darren Aronofsky’s ‘Black Swan’ Continue reading "Nina and her Mirror-images: Re-balancing the Apollonian and Dionysian in Darren Aronofsky’s ‘Black Swan’"
