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Croque-Melpomene

Author of "Within Paravent Walls", "Daughterbody I | a self-exorcism through poetry", "Daughterbody II | a self-reclamation through poetry", "you ate popcorn in my house of grief | transgenerational poetry", "mutterseelenallein und splitterfasernackt | transgenerationale Trauma- und Trauergedichte" & "symbiosis | a sister's psychogeographical grief". Pentalingual Idealist. Hypercreative homebody. Transgenerational Poetess.

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  • Within Paravent Walls | a novel
  • Within Paravent Walls | reviews
  • Daughterbody I: a self-exorcism through poetry
  • Daughterbody II: a self-reclamation through poetry
  • you ate popcorn in my house of grief | transgenerational poetry
  • mutterseelenallein & splitterfasernackt | transgenerationale Trauma- und Trauergedichte
  • symbiosis | a sister’s psychogeographical grief | a poetry collection
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Category: Reading Films

JOKER: An Autobiographical Tragicomedy: “Not A Punchline, Not A Joke”: A Philanthropist Moulded Into A Misanthropist October 8, 2019May 6, 2020
Himmelhoch jauchzend und zu Tode betrübt: Dysfunctional Families: Silence & Music and Identity & Reconnection in Caroline Link’s: “Jenseits der Stille” (“Beyond Silence”) June 13, 2018June 10, 2020
Dysfunctional Families: a Writer’s Coming-of-Age, a Denounced Female Sexuality and Domestic Terror in Jean-Jacques Annaud’s ‘L’Amant’. January 24, 2018June 10, 2020
Dysfunctional Families: Identity Revealed on Canvas, the Matriarchal Household, Artistry as Getaway and Platonic Eroticism in Peter Webber’s ‘Girl with a Pearl Earring’ January 7, 2018June 10, 2020
Surviving at all Costs: the Female Abyss and the Domestic Elimination of Patriarchy in William Oldroyd’s ‘Lady Macbeth’ January 5, 2018June 10, 2020
‘Dead Already’: The Comic Side of Sam Mendes’ ‘American Beauty’: Marriage, Performance and Rebellion January 3, 2018June 10, 2020
Making It Work: A Comparative Thought: Satine, Nina and Édith Piaf. January 3, 2018May 7, 2020
Middle class and artistry as incompatible: the dysfunctional relationship of Adèle and Emma in Abdellatif Kechiche’s ‘Blue is the Warmest Colour’ January 3, 2018June 10, 2020
Nina and her Mirror-images: Re-balancing the Apollonian and Dionysian in Darren Aronofsky’s ‘Black Swan’ January 3, 2018June 10, 2020

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