You were part of an invisible dress
That became heavier and heavier
As I dragged it like a dead animal’s
Fur across my shoulders, behind me,
Mutilating it, gangrenous, holding on
To matter equally torn and checkmating.
They just stared at my lipstick,
My eyelashes up high, the armoured
Neck and never wonder about the unseen
Old age eating me up from behind my back.
The voices that keep mumbling and screaming,
To change the past, to erase their actions and steps
We might stem from the same roots, but my sky is blue.
The record is scratched and dysfunctional.
I’ve extracted the tiniest piece of beauty.
I’ll stay there. The words that should have
Been uttered have rotten away in a dead chamber
Where nobody takes responsibility and knows no language to admit
What they did. Earth on hot air. What existed goes unnamed,
Unspoken, unheard of. I’ll set the banister on fire.
“Porträt Gertraud Luberich” by Leo Putz (1869-1940)
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My name is Laura Gentile. I’m of German-Italian descent and I speak five languages such as English, German, French, Italian, Luxembourgish and I’m currently learning Romanian.
I hold a Master of Arts Degree in English Literature, Film and Visual Culture (Dissertation: The Decadent in Love with his Psychopomp: Thomas Mann's 'Death in Venice' and Adrian Lyne's 'Lolita') and a Master of Letters by Research in English Literature, Film and Visual Culture (Thesis: Romanticising Decadence and Aestheticising Death: Women as Projection Bodies and Mimetic Identities in Zola’s 'Thérèse Raquin', Schnitzler’s 'Dream Story', Süskind’s 'Perfume: The Story of a Murderer' and Eugenides’ 'The Virgin Suicides').
Author of "Within Paravent Walls". Pentalingual Idealist. Writer of psycho-corporeal Poetry. Creator of Croque-Melpomene & Les Femmes de la Décadence.
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Contact Email Address: croquemelpomene@gmail.com
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