Put your glasses on the table.
Put out your cigarette.
Wash your hands.
Dry your mouth.
Take out the knife.
Look at the wood.
These were my promised lands.
Guiding my hands toward something constructive.
To an object, everlasting.
To something that we both wanted.
Something to look back upon.
We never moulded wood together, never carved into its hard flesh.
I was introduced to emptiness.
To promises enveloping.
To death knocking on the woody table.
To a longing unfinished, unlived, starved.
Objects of war, brought back to wailing mothers,
Letters getting heavier and heavier within the closet’s shelves.
You wrote and wrote, your tireless hand and ongoing mind,
But the thoughts never crossed your lips, from thine to mine,
Stories need to be told, you buried them on paper,
Let the postman carry your guilt and bad conscience around,
But you were given a tongue, you need to speak,
I need to understand where you’re coming from.

“Reading the Letter / Orphans” by Thomas Benjamin Kennington (1856-1916)
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My name is Laura Gentile. I’m of German-Italian descent and I speak five languages such as English, German, French, Italian, Luxembourgish and I’m currently learning Romanian.
I hold a Master of Arts Degree in English Literature, Film and Visual Culture (Dissertation: The Decadent in Love with his Psychopomp: Thomas Mann's 'Death in Venice' and Adrian Lyne's 'Lolita') and a Master of Letters by Research in English Literature, Film and Visual Culture (Thesis: Romanticising Decadence and Aestheticising Death: Women as Projection Bodies and Mimetic Identities in Zola’s 'Thérèse Raquin', Schnitzler’s 'Dream Story', Süskind’s 'Perfume: The Story of a Murderer' and Eugenides’ 'The Virgin Suicides').
Author of "Within Paravent Walls". Pentalingual Idealist. Writer of psycho-corporeal Poetry. Creator of Croque-Melpomene & Les Femmes de la Décadence.
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