The hand that forms me
The hand that holds my neck
The hand that devours me with its nails
The hand that moulds me to the core.
The eyes without shame
The eyes that make me feel less than whole
The eyes who see me as I am not
The eyes who force me into action.
The nose that seeks me out
The nose that ignores my childhood
The nose that determines where I go
The nose that digs into my skin and particles of flesh.
The arms that betrayed me deeply
The arms, those of a mythical snake,
Revolving, slithering, tightening, gallivanting,
The arms that spoke of protection.
It’s the voice, the unholy one,
The darkest of terrors, the one that is regurgitated,
Its lies and promises, inconsistencies, the visceral intent,
The voice that condemned me with its thousand knives,
And as it shoved them down my throat,
I evoked images of fire, and of spitting it, bursting into a million flames,
My mouth’s golden potency, against yours, and exorcise my devils
That you housed in my body.

“Alice” by Henry Tanworth Wells (1828-1903)
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My name is Laura Gentile. I’m of German-Italian descent and I speak five languages such as English, German, French, Italian, Luxembourgish and I’m currently learning Romanian.
I hold a Master of Arts Degree in English Literature, Film and Visual Culture (Dissertation: The Decadent in Love with his Psychopomp: Thomas Mann's 'Death in Venice' and Adrian Lyne's 'Lolita') and a Master of Letters by Research in English Literature, Film and Visual Culture (Thesis: Romanticising Decadence and Aestheticising Death: Women as Projection Bodies and Mimetic Identities in Zola’s 'Thérèse Raquin', Schnitzler’s 'Dream Story', Süskind’s 'Perfume: The Story of a Murderer' and Eugenides’ 'The Virgin Suicides').
Author of "Within Paravent Walls". Pentalingual Idealist. Writer of psycho-corporeal Poetry. Creator of Croque-Melpomene & Les Femmes de la Décadence.
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