His arms held her like ember.
To him she smelled like softwood.
Honeyed underneath the sun.
She thought he could not get lost.
She thought they could not dissolve.
Holding each other.
Tracing their scents, their addictions.
He followed her everywhere.
Her eyes bittersweet, wanting more.
Never knowing what.
His body was always there.
Reacting to her dreams and invisibilities.
Their love might have been tender.
It hit some halts, but turned around.
She would lower her face, letting it
Sink into the volume of her hair.
It smelled like him and no sense of alienation
Befell her. This was home, this was both of them together.
On her, through her and him.
It was his heartbeat that would let her go to sleep.
What they had outshone the goodwill of others.
Happiness that does not consist of lies is hard to digest.
Jealousy, at times stronger than love, is always on the hunt,
And targeted them both.
“Portrait of a young girl with a red veil” by Alexei Harlamov (1840-1925)
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My name is Laura Gentile. I’m of German-Italian descent and I speak five languages such as English, German, French, Italian, Luxembourgish and I’m currently learning Romanian.
I hold a Master of Arts Degree in English Literature, Film and Visual Culture (Dissertation: The Decadent in Love with his Psychopomp: Thomas Mann's 'Death in Venice' and Adrian Lyne's 'Lolita') and a Master of Letters by Research in English Literature, Film and Visual Culture (Thesis: Romanticising Decadence and Aestheticising Death: Women as Projection Bodies and Mimetic Identities in Zola’s 'Thérèse Raquin', Schnitzler’s 'Dream Story', Süskind’s 'Perfume: The Story of a Murderer' and Eugenides’ 'The Virgin Suicides').
Author of "Within Paravent Walls". Pentalingual Idealist. Writer of psycho-corporeal Poetry. Creator of Croque-Melpomene & Les Femmes de la Décadence.
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Contact Email Address: croquemelpomene@gmail.com
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