JOKER: An Autobiographical Tragicomedy: “Not A Punchline, Not A Joke”: A Philanthropist Moulded Into A Misanthropist October 8, 2019May 6, 2020

Himmelhoch jauchzend und zu Tode betrübt: Dysfunctional Families: Silence & Music and Identity & Reconnection in Caroline Link’s: “Jenseits der Stille” (“Beyond Silence”) June 13, 2018June 10, 2020

Dysfunctional Families: a Writer’s Coming-of-Age, a Denounced Female Sexuality and Domestic Terror in Jean-Jacques Annaud’s ‘L’Amant’. January 24, 2018June 10, 2020

Dysfunctional Families: Identity Revealed on Canvas, the Matriarchal Household, Artistry as Getaway and Platonic Eroticism in Peter Webber’s ‘Girl with a Pearl Earring’ January 7, 2018June 10, 2020

Surviving at all Costs: the Female Abyss and the Domestic Elimination of Patriarchy in William Oldroyd’s ‘Lady Macbeth’ January 5, 2018June 10, 2020

‘Dead Already’: The Comic Side of Sam Mendes’ ‘American Beauty’: Marriage, Performance and Rebellion January 3, 2018June 10, 2020

Making It Work: A Comparative Thought: Satine, Nina and Édith Piaf. January 3, 2018May 7, 2020

Middle class and artistry as incompatible: the dysfunctional relationship of Adèle and Emma in Abdellatif Kechiche’s ‘Blue is the Warmest Colour’ January 3, 2018June 10, 2020

Nina and her Mirror-images: Re-balancing the Apollonian and Dionysian in Darren Aronofsky’s ‘Black Swan’ January 3, 2018June 10, 2020